Life moves nonstop and that’s what defines it. Movement is what defines cinema as well.
Cinema like life moves and doesn’t end with the end credits of a film. So Lidia in ‘Tshweesh’ walks in Beirut after she has walked in Milan in Antonioni’s ‘La Notte’ in 1961. And as Lidia felt nostalgic in the old neighbourhood in Milan back then, today she walks and fears for the old buildings in Beirut. When Lidia looks up and sees the planes in the sky of Milan in 1961, she doesn’t know that many years in the future she will walk in Beirut and look up to see Israeli planes instead.